In Fearfully and Wonderfully Made, Philip Yancey and Dr. Paul Brand revealed how God´s voice is encoded in the very structure of our bodies. In His Image takes up where its predecessor left off, beckoning us once again inward and onward to fresh exploration and discovery. Yancey and Brand show how accurately and intricately the human body portrays the Body of Christ. In five sections - Image, Blood, Head, Spirit, and Pain - the acclaimed surgeon and the award-winning writer unlock the remarkable, living lessons contained in our physical makeup. This Gold Medallion Award-winning book will open your eyes to the complex miracle of the human body, and the even more compelling spiritual truths that it reflects. 1. Language: English. Narrator: Maurice England. Audio sample: http://samples.audible.de/bk/zond/000971/bk_zond_000971_sample.mp3. Digital audiobook in aax.
An image is archetypal only when it is an individual value, which through natural analogs allows a person to learn about himself, obtain information about his individual qualities recorded in the individual structure of psyche, which ultimately allows a person to legalize his own innate qualities. The authors reason that logically an archetype in its traditional consideration cannot be that prototype (preimage), which, as an initial idea, determines the individual human psyche because by definition it belongs to culture - it is its artifact. Consequently, according to existing semantics, an archetype can be anything except an archetype as an idea. This scientific paper examines whether semantics of an archetype in its traditional sense corresponds to the concept of "an image" if an image is considered in terms of "a copy"; "a duplicate"; can an archetype of culture be seriously considered as something that directly forms individual human psyche, as a structure that appeared long before symbolism? The authors think that not every image is archetypal because not every image is equal to prototype (preimage), as an initial idea corresponding to the concept of "an archetype." An image is archetypal only when it is an individual value, which, through natural analogues, allows a person to learn about his own self and learn about his individual qualities, recorded in the individual structure of psyche, which, as a result, provides a person with a possibility to legalize his own innate qualities. 1. Language: English. Narrator: David Loving. Audio sample: http://samples.audible.de/bk/acx0/097988/bk_acx0_097988_sample.mp3. Digital audiobook in aax.
In this course, you will come to cherish the timeless poetry of Gerard Manley Hopkins. Gerard Manley Hopkins is undoubtedly one of the greatest poets in the English language. Under the influence of Cardinal John Henry Newman, Hopkins became a Jesuit priest. Now celebrated as a masterful poet, he inspires people throughout the world with his words and example. Hopkins was not only a brilliant poet but also a deeply spiritual man whose works explored religious themes such as Jesuit spirituality and the presence of God in nature. Under the guidance of Fr. Joseph J. Feeney, SJ, one of the world´s leading Hopkins experts, you will come to experience the wonders of Hopkins´ work and the genius of his poetry. You will follow Hopkins´ life (1844-1889) from his upbringing in London and education at Oxford to his travels as a Jesuit throughout England, Wales, Ireland, and Scotland. You will study how his poetry progressed, beginning with the traditional poetry of his youth and culminating with his masterpiece, ´´The Wreck of the Deutschland,´´ which is rightfully regarded as one of the greatest odes in the English language. Fr. Feeney´s presentations of these poems are lively, passionate, and informative. You will listen to each poem aloud before studying the structures, themes, and rhythms of his sonnets and lyric poems. In exploring Gerard Manley Hopkins - the person, the priest, and the poet - you will come to see the grandeur of God fully alive. 1. Language: English. Narrator: Fr. Joseph J. Feeney SJ PhD. Audio sample: http://samples.audible.de/bk/nykm/000279/bk_nykm_000279_sample.mp3. Digital audiobook in aax.
Tattoo Skyn snare drumhead in 13” or 14” sizes feature a 12-mil Suede® single ply film for excellent durability and overtone control. Both Graphic Snare and Bass Drumheads utilize Remo’s Skyndeep® proprietary imaging technology that enables the image to be permanently embedded into the structure of the film without affecting the sound quality of the drumhead.
Cet ouvrage est conçu pour les élèves ou les enseignants qui veulent travailler la théorie et la pratique de la musique africaine. Il propose un matériel pédagogique varié, le plus authentique possible. Il y a deux possibilités d´utilisation du livre et de son CD: -travailler sur la musique, ses structures et son image acoustique par l´écoute et l´analyse-les utiliser pour chanter et jouer soi-même, et ce à tous les niveaux scolaires. Cette musique peut être interprétée de façon très variée: chant simple avec battements de mains, arrangements, travail en ateliers de percussions africaines.Compositeur/Auteur : KONATE Famoudou / OTT ThomasDiscipline/Instrument : percussionSupport : Livre + CDStyle/Genre : méthode - étudesDate de parution : févr.-04Nombre de pages : 104
From as early as the third century BCE, the Romans were prodigious monument builders, so much so that the memory of the great Roman Republic and the Roman Empire continues to exist within a cityscape of stone. Rome´s public spaces were filled with statues, arches, temples, and many other varieties of monumental images, and each of these structures had its own civic or religious function. At the same time, most were embedded with stories, messages, and symbolism so that they also tended to function as propaganda. These monuments allowed the leading citizens of Rome, especially its emperors, to sculpt their own self-image and embed themselves and their most memorable deeds into the very structure of the Roman city. As the most completely preserved building of the Imperial Roman capital, the Pantheon represents the peak of Imperial monument building at Rome. It is no coincidence that the Pantheon was built during the zenith of the Roman Empire´s power and wealth; as with most civilizations, this period of exceptional commercial and political activity was symbolized by large-scale building. In this respect, the Pantheon is a visual symbol of the greatness of the Roman Empire, and as such, it captivates all who have been privileged enough to behold it. Michelangelo declared the building to be of ´´angelic and not human design´´, while Goethe claimed to be ´´overwhelmed with admiration´´ for the structure. While the sublime nature of the Pantheon´s design has always been readily apparent, no one has ever been able to figure out exactly what the structure was supposed to mean or even how it was built. Stepping into the Pantheon´s soaring, curved interior is itself enough to make anyone feel insignificant by comparison, and this feeling is only reinforced by the elusiveness of its meaning and design. In a sense, however, the fact that the Pantheon seems doomed to be forever shrouded in mystery only serves to enhance its captivating beauty. 1. Language: English. Narrator: Jim D. Johnston. Audio sample: http://samples.audible.de/bk/acx0/077412/bk_acx0_077412_sample.mp3. Digital audiobook in aax.
Many have claimed that the face on Mars is a hoax, yet there are many indicators that Mars was once populated by a highly intelligent extraterrestrial race. Researchers propose that a city consisting of very large pyramids and mounds, arranged in a geometric pattern, once existed on the Cydonia Planitia. Recent video images from landers and orbiters strongly suggest that there are structures on the surface that clearly resemble structures humans have built on Earth. Do we have evidence that in the ancient past Mars was inhabited? With a stream of new data released from NASA and other agencies, which shows flowing water and living plants on the surface of Mars, we have been given even more reason to conclude that advanced civilizations exist (or once existed) on Earth´s moon, Mars, and quite possibly on some of the moons of Jupiter and Saturn. We have also been given reason to conclude that NASA and the United States government have conspired to keep these facts secret. Hear the evidence that Mars might very well have been the home of ancient extraterrestrials for yourself. ´´The important achievement of Apollo was demonstrating that humanity was not forever chained to this planet.” (Neil Armstrong.) 1. Language: English. Narrator: Jason Martell. Audio sample: http://samples.audible.de/rt/real/000407/rt_real_000407_sample.mp3. Digital audiobook in aax.
If marriage is a picture of Christ and the church, our homes should look like the gospel. While the culture has never been more confused about the definition of what marriage is, those who are married have never been more hopeless about how marriage should be lived. The times have never been more crucial for digging deeper, past the definition of marriage to the structure of marriage, the blessings of marriage, and the opportunity for living out the image of the gospel that´s embodied within marriage. So, what now? Editors Russell Moore and Andrew T. Walker of the Ethics and Religious Liberty Commission (ERLC) assemble leading voices to frame the issues with a gospel-centered perspective. The Gospel for Life series gives every believer a biblically-saturated understanding of the most urgent issues facing our culture today, because the gospel is for all of life. 1. Language: English. Narrator: Tom Parks. Audio sample: http://samples.audible.de/bk/hove/001991/bk_hove_001991_sample.mp3. Digital audiobook in aax.
From the New York Times best-selling author of The Legion of the Damned® Novels and The Mutant Files comes the first novel in a postapocalyptic military science fiction series about America rising from the ashes of a global catastrophe. On May Day 2018, 60 meteors entered Earth´s atmosphere and exploded around the globe with a force greater than a nuclear blast. Earthquakes and tsunamis followed. Then China attacked Europe, Asia, and the United States in the belief the disaster was an act of war. Washington, DC was a casualty of the meteor onslaught that decimated the nation´s leadership and left the surviving elements of the armed forces to try to restore order as American society fell apart. As refugees across America band together and engage in open warfare with the military over scarce resources, a select group of individuals representing the surviving corporate structure makes a power play to rebuild the country in a free-market image as The New Confederacy. 1. Language: English. Narrator: Noah Michael Levine. Audio sample: http://samples.audible.de/bk/adbl/027193/bk_adbl_027193_sample.mp3. Digital audiobook in aax.
Création17/06/1991 - Italie - Parme - Orchestre Toscanini - Arturo Tamayo (direction)CommanditaireOrchestre Toscanini, ParmeNoticeA l´origine : un désir de légèreté, de souplesse, de versatilité, le souci d´éviter autant que possible grandiloquence et effets de rhétorique.Peu de contours violents et affirmés, mais plutôt des courbes douces, des spirales et des surprises. Un écoulement fluide, contrarié par les turbulences qu´il engendre.Dans les images chaotiques des turbulences, on retrouve les mêmes structures à tous les niveaux d´observation : de loin, de près, au microscope...On trouvera ainsi dans La Dynamique des fluides la transformation perpétuelle, à de nombreuses échelles différentes, d´un mouvement simple de spirale - de tourbillon, de turbulence, parfois extrêmement ralenti, parfois tellement accéléré que les formes deviennent fugitives ou changent de nature.A grande échelle, les tourbillons deviennent de larges flux, les pentes de la musique. A plus petite échelle, ils se transforment en figurations identifiables, récurrentes dans la pièce, mais toujours différentes.Parfois, de minuscules spirales, comme de feux follets, tentent de s´échapper du flux dominant et de le détourner.Tristan MurailIn : Tristan Murail, textes réunis par Peter Szendy,collection compositeurs d´aujourd´hui,éditions L´Harmattan / Ircam-Centre Pompidou,Paris, 2002, 158 pages (pp 137-138).