The short-lived Japanese magazine Provoke is recognized as a major achievement in world photography of the postwar era, uniting the country´s most contentious examples of protest photography, vanguard fine art, and critical theory of the late 1960s and early 70s in only three issues overall. Provoke is accordingly treated here as a model synthesis of the complexities and overlapping uses of photography in postwar Japan. The writing and images by Provoke´s members - critic Koji Taki, poet Takahiko Okada, photographers Takuma Nakahira, Yutaka Takanashi, Daido Moriyama - were suffused with the tactics developed in some Japanese protest books which made use of innovative graphic design and provocatively ´´poor´´ materials. Recording live actions, photography in these years was also an expressive form suited to emphasize and critique the mythologies of modern life with a wide spectrum of performing artists such as Nobuyoshi Araki, Koji Enokura and Jiro Takamatsu. This catalogue accompanies the first exhibition ever to be held about the magazine and its creators and focuses on its historical context. It covers the preliminary period leading to its first and the aftermath following its last issue. Provoke takes shape as a strongly interpretative explanation of currents in Japanese art and society at a moment of historical collapse and renewal.
The mere mention of red hair conjures vivid images and provokes strong reactions. Popular stereotypes of redheaded women range from the fiery-tempered vixen and the penitent prostitute - Mary Magdalene is often portrayed in art as a redhead - to the fun-loving scatterbrain Lucille Ball. Red-haired men, meanwhile, are consistently associated with either the savage barbarian or the redheaded clown. But why? Red: A History of the Redhead is the first audiobook to chronicle red hair and redheadedness from prehistory to present day. As both intrepid cultural detective and compelling storyteller, Jacky Colliss Harvey weaves a fascinating history beginning with the moment the redheaded gene made its way out of Africa with the early human diaspora. She goes on to trace red hair in the ancient world; the intolerance manifested against it as an indicator of Jewishness across medieval Europe; red hair as the height of fashion in Renaissance England; the redheaded ´´stunner´´ in Pre-Raphaelite art and the paintings of the Impressionists; and into the modern age, from its symbolism and adoration in popular culture to ´´gingerism´´, perhaps the last unacknowledged from of discrimination. More than an audiobook for redheads, Red is both an exploration of red hair as ´´other´´ and a celebration of every aspect of its unique social and scientific heritage at a time when it has never before been so frequently in the news or played such a prominent role in our visual culture. PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your My Library section along with the audio. 1. Language: English. Narrator: Jacky Colliss Harvey. Audio sample: http://samples.audible.de/bk/hach/002118/bk_hach_002118_sample.mp3. Digital audiobook in aax.
Contemporary Japanese photographer Daido Moriyama (b.1938) has made a radical impact on the photographic world in both Japan and in the West. His snapshot aesthetic and no-viewfinder style have succeeded in challenging the mediums prevailing orthodoxies. Moriyama was a member of the famous PROVOKE magazine, and a lecturer and theorist, influencing the new generation of Japanese photographers. This monograph documents the development of Moriyamas photography througha chronologically presented sequence of 55 images. An introductory essay provides a fresh perspective on Moriyamas life and work. Includes iconic images as well as less well known works.
Fifteen-year-old Nina and her family are struggling to hold things together in the wake of the accidental death of her brother several years earlier. Seeking refuge in art, Nina´s mother has painted a series of nude portraits of her remaining child. As these haunting images go public, Nina is forced to deal with her burgeoning sexuality in front of a large and critical audience. With tension in the family at a breaking point, the portrait entitled Nina: Adolescence provokes a situation that will be either the engine of Nina´s destruction or the catalyst that enables her to finally surmount tragedy. In this mesmerizing first novel, Amy Hassinger captures the cruelties and passions of adolescence with eloquence, tenderness and a fearless sensuality. In Nina, she has created an unforgettable character and launched a stunning new career. 1. Language: English. Narrator: Mia Barron. Audio sample: http://samples.audible.de/bk/live/000072/bk_live_000072_sample.mp3. Digital audiobook in aax.
A much anticipated reissue of Who Wrote the Bible?—the contemporary classic the New York Times Book Review called ´´a thought-provoking [and] perceptive guide´´ that identifies the individual writers of the Pentateuch and explains what they can teach us about the origins of the Bible. For thousands of years, the prophet Moses was regarded as the sole author of the first five books of the Bible, known as the Pentateuch. According to tradition, Moses was divinely directed to write down foundational events in the history of the world: the creation of humans, the worldwide flood, the laws as they were handed down at Mt. Sinai, and the cycle of Israel´s enslavement and liberation from Egypt. However, these stories—and their frequent discrepancies—provoke questions: why does the first chapter in Genesis say that man and woman were made in God´s image, while the second says that woman was made from man´s rib? Why does one account of the flood say it lasted forty days, while another records no less than one hundred? And why do some stories reflect the history of southern Judah, while others seem sourced from northern Israel? Originally published in 1987, Richard Friedman´s Who Wrote the Bible? joins a host of modern scholars who show that the Pentateuch was written by at least four distinct voices—separated by borders, political alliances, and particular moments in history—then connected by brilliant editors. Rather than cast doubt onto the legitimacy of the Bible, Friedman uses these divergent accounts to illuminate a text that was written by real people. Friedman´s seminal and bestselling text is a comprehensive and authoritative answer to the question: just who exactly wrote the Bible?
´´The Picture of Dorian Gray´´, Oscar Wilde´s only novel, was first published on both sides of the Atlantic by the American periodical Lippincott´s Monthly Review on 20th June 1890. Not only did this text provoke a heated debate in the British press in the same year, it also became notorious for its being quoted and examined in court in Wilde´s three trials in the spring of 1895. As a story, the novel shows how a young man in a Faustian situation wishes for his portrait to age rather than himself. Steeped in sin, which, however, is alluded to rather than spelt out, Dorian Gray for Wilde s critics and enemies became an image of the author´s own behaviour. Going back to the typescript of the novel, the editor has restored passages to the text that had been excised or censored by Wilde himself and the editorial committee in America. Danny Morrison has provided a preface placing Wilde in the Irish political context of his own day and beyond.
The Art Instinct combines two of the most fascinating and contentious disciplines, art and evolutionary science, in a provocative new work that will revolutionize the way art itself is perceived. Aesthetic taste, argues Denis Dutton, is an evolutionary trait, and is shaped by natural selection. It´s not, as almost all contemporary art criticism and academic theory would have it, ´´socially constructed´´. The human appreciation for art is innate, and certain artistic values are universal across cultures, such as a preference for landscapes that, like the ancient savannah, feature water and distant trees. If people from Africa to Alaska prefer images that would have appealed to our hominid ancestors, what does that mean for the entire discipline of art history? Dutton argues, with forceful logic and hard evidence, that art criticism needs to be premised on an understanding of evolution, not on abstract ´´theory´´. Sure to provoke discussion in scientific circles and an uproar in the art world, The Art Instinct offers radical new insights into both the nature of art and the workings of the human mind. 1. Language: English. Narrator: P. J. Ochlan. Audio sample: http://samples.audible.de/bk/adbl/009632/bk_adbl_009632_sample.mp3. Digital audiobook in aax.
A beloved American corporation with an explosive secret. A disgraced former journalist looking for redemption. A corporate executive with nothing left to lose. In Dhaka, Bangladesh, a garment factory burns to the ground, claiming the lives of hundreds of workers, mostly young women. Amid the rubble, a bystander captures a heart-stopping image-a teenage girl lying in the dirt, her body broken by a multi-story fall, and over her mouth a mask of fabric bearing the label of one of America´s largest retailers, Presto Omnishops Corporation. When the photo goes viral, it fans the flames of a decades old controversy about sweatshops, labor rights, and the ethics of globalization. A year later, in Washington, D.C., Joshua Griswold, a disgraced former journalist for the Washington Post, receives an anonymous summons from a corporate whistleblower promising information about Presto. There, to Griswold´s astonishment, he meets Cameron Alexander, Presto´s long-time general counsel. Alexander, who has secrets of his own, offers Griswold confidential information about Presto´s apparel supply chain. For Griswold, the challenge of exposing Presto´s willful negligence is irresistible, as is the chance, however slight, at redemption. Deploying his old journalistic skills, he builds a historic case against Presto, setting the stage for a war in the courtroom and in the media that Griswold is determined to win-both to salvage his reputation and to provoke a revolution of conscience in Presto´s boardroom that could change the course of the fashion industry across the globe.
Corbin Addison explores the human stories behind global labor sourcing in the international fashion industry in this thrilling, shocking and compelling tale. A beloved American corporation with an explosive secret. A disgraced former journalist looking for redemption. A corporate executive with nothing left to lose. In Dhaka, Bangladesh, a garment factory burns to the ground, claiming the lives of hundreds of workers, mostly young women. Amid the rubble a bystander captures a heart-stopping image - a teenage girl lying in the dirt, her body broken by a multi-tory fall, and over her mouth a mask of fabric bearing the label of one of America´s largest retailers, Presto Omnishops Corporation. When the photo goes viral, it fans the flames of a decades-old controversy about sweatshops, labor rights, and the ethics of globalization. A year later, in Washington, DC, Joshua Griswold, a disgraced former journalist for the Washington Post, receives an anonymous summons from a corporate whistleblower promising information about Presto. There, to Griswold´s astonishment, he meets Cameron Alexander, Presto´s longtime general counsel. Alexander, who has secrets of his own, offers Griswold confidential information about Presto´s apparel supply chain. For Griswold the challenge of exposing Presto´s willful negligence is irresistible, as is the chance, however slight, at redemption. Deploying his old journalistic skills, he builds a historic case against Presto, setting the stage for a war in the courtroom and in the media that Griswold is determined to win - both to salvage his reputation and to provoke a revolution of conscience in Presto´s boardroom that could change the course of the fashion industry across the globe. 1. Language: English. Narrator: Firdous Bamji. Audio sample: http://samples.audible.de/bk/reco/009911/bk_reco_009911_sample.mp3. Digital audiobook in aax.
Russia entered the 20th century in possession of nearly all of the prerequisites for an empire of historic proportions. The tsar presided over almost one-sixth of the world´s land masses extending from a culturally European West to an Asian East, with vast expanses of forest steppe and tundra reaching from Poland to the Pacific Ocean. Virtually all great empires have built and maintained advanced navies, from ancient times to the modern era of Spain, but Russia lagged behind in the modern armadas typical of world-shaping societies. Despite a membership of nearly 60,000 sailors by the turn of the 20th century, making Russia´s seagoing force the fourth largest in the world, the crews were deficient and poorly treated, drawn largely from conscripted factory workers and serfs who earned far less in wages than they would have at home. This made them particularly susceptible to anti-tsarist ideologies, and in particular, "Marxist agitators." Likewise, most among the officer class were political appointees from the land-based aristocracy, who lacked the general skill and sensitivity with which to lead men into battles they themselves had never experienced. Despite Russia´s imposing image in the world, less apparent weaknesses within the tsarist government threatened the country´s stability. The autocratic system had stood firm for several hundred years, but only in the 18th and 19th centuries was it surrounded by emerging democracies, alluring to working classes around the world. Multiple ethnicities from lands conquered in previous centuries maintained an almost provisional membership when faced with the allure of their home empires. As with the rest of the population, naval forces that had come to be persuaded of anti-tsarist arguments did not do so within a vacuum. The accumulated unrest throughout the country could provoke a more organized message within the confines of a single warship, and indeed it eventually resulted in th... 1. Language: English. Narrator: Scott Clem. Audio sample: http://samples.audible.de/bk/acx0/079954/bk_acx0_079954_sample.mp3. Digital audiobook in aax.